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POC: documentary comic

POC is a documentary comics magazine published by Asociatia Bloc Zero. This issue features anthropologic research on water. Using an academic paper written by Liviu Chelcea as a base, I wrote a narrative script with the help of script coordinator/ editor Maria Surducan and illustrated a story about an anthropologist’s journey in discovering the phenomenon of free tap service in New York.

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Browse the pages by clicking the thumbnails on the left, or white arrow on the right.

The most challenging part of this project is distilling the information- heavy 25-page academic research paper down to concise ideas, and choosing the ones that are shown in the comic. hen, finding opportunities for a narrative structure in the order that those choese ideas are relayed. As a research paper it had its own academic conclusions, but in comic form I needed to find a narrative conclusion that is more emotionally satisfying for the reader.

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Thinking of reader experience, I thought it would be more interesting if they discover these ideas along with the anthropologist as he does the research, instead of simply being told the ideas. 

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First round information-extraction, from which a selection is made

Once the outline of of the idea structure is made, it was great fun creating scenes and characters to carry them. The first thing I do is to lay down the text on the page, while magining the scenes. I recognize beats in the story, and move text around on the page to find the right arrangement, as each placement of a speech bubble affects the next, and affects the pagination.

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My mind is looking for opportunities to group things together or to set them apart- of course, while keeping the rule for readability all the time. I start sketching, and depending on the drawing I adjust again the positions of the text.

 

A lot of care needs to be taken especially when there are characters talking, as their position should not be in conflict with the order of their lines. It's a lot like solving a puzzle that you made yourself.

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Always looking for opportunities to strengthen the visual. I decided to change the shape of the glass on the right page to echo the shape of the panel, as we are looking at it from the bottom, giving it a majestic mood when the text says "But how does the glass always stay full?"

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